“The politics of visibility in urban space are immensely complex and intersectional; we’re all out there navigating the streets as best we can, and hoping to get something out of it.”
“I like drawing because it’s immediate — it hits us faster than prose writing. And I like pairing writing with images; you can get a sense of the background space and scene — stuff that wouldn’t necessarily move the narrative forward in standalone prose writing.”
Emerson once said that society was a mob, conspiring against the sovereign strength of the self. Now we are an electronic mob, and the forces of distraction are powerfully arrayed against us. It has always been the case that society never wanted a writer to write a book, something you will discover when you leave this place and try to create the space and time to write. Society doesn’t want your book of stories or poems, and you will have to push against society, as if you had your shoulder to the door of a crowded room; you will have to shove your book into existence, birth it violently.
In 1974, the year Richard Nixon resigned to avoid impeachment, my father, a man with rabbinic aspirations, was deep in his own pickle, indicted for conspiracy and fraud in the federal summer school lunch program.
“Some people take issue with calling infertility a disease, but I think that’s the only way we can advocate for better awareness and insurance coverage, so that people have choices. And my point was not to say that one path is better than another, but to portray the experience of exclusion and isolation, and the obstacles faced by so many people, with empathy.”