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SVU with a Vengeance: The Horrors of "Ladivine"

There’s an emphasis on character action in fiction that I’ve always found hilariously American. We don’t read for historical perspective, for philosophy, for abstraction or allegory or poetic language as readily as readers elsewhere. Instead, there’s something distinctly boot-strappy about our attentions. The sense that we follow a character through their various arcs and impacts on the world seems somehow inextricable from our belief in self-made millionaires, our shark tanks and injunctions to “be all that you can be!”

SVU with a Vengeance: The Horrors of “Ladivine”

There’s an emphasis on character action in fiction that I’ve always found hilariously American. We don’t read for historical perspective, for philosophy, for abstraction or allegory or poetic language as readily as readers elsewhere. Instead, there’s something distinctly boot-strappy about our attentions. The sense that we follow a character through their various arcs and impacts on the world seems somehow inextricable from our belief in self-made millionaires, our shark tanks and injunctions to “be all that you can be!”