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Tag Archives: Summer 2011

“Of Waterways and Runaways: Reflections on the Great Lakes in Underground Railroad History,” by Tiya Miles

nonfiction by Tiya Miles

Here in the Great Lakes region of the Midwest, waterways were especially pivotal to Underground Railroad history, and movement to and across those waters highlights the remarkable bravery, determination, and resourcefulness of escaping slaves as well as their allies. The Old Northwest (the Midwestern territory designated by the Northwest Ordinance of 1787) was central ground for abolitionist struggle in the middle decades of the nineteenth century because of its location on two liquid borders. The line between the slaveholding country of the U.S. and the free realm of British-controlled Upper Canada (or Canada West), and the line between the slave state of Kentucky and the free state of Ohio flowed through this region in the form of water.[2] The winding rivers and ample lakes that characterized the area’s geography and marked the boundaries between and among colonial-European states and Native nations also became physical markers, signs, and routes of the Underground Railroad.

A FINE MEMORY WHILE IN DETOX

fiction by Devin Murphy

“I don’t think this wind is ever going to stop,” Jamie said.

“I can do a rain dance if you want something else to happen,” Lewis said.

The wind sounded hollow, and we all stopped talking as if we’d decided to just sit and listen. We were the only people on the beach, but the wind searched for us, and it wrapped that blanket tight around our bodies as if we were the only people in the world.

Summer 2011 The Great Lakes

Summer 2011

THE GREAT LAKES: LOVE SONG AND LAMENT, our special issue on the Great Lakes. Essays by Jerry Dennis, Anna Vodicka, Keith Taylor, John Knott, Alison Swan, Tiya Miles, Devin Murphy, Julia Gibson; Poetry by Albert Goldbarth, Margaret Noori, Holly Wren Spaulding, Ruth Joynton, M. Bartley Seigel, Terry Blackhawk, John Repp; Fiction by Steve Amick; Color portfolio: full-color photos of the Great Lakes basin selected from the exhibition “The Primacy of Water” curated by the River Gallery of Chelsea, Michigan.