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On “Froelich’s Ladder”: An Interview with Jamie Duclos-Yourdon

“From a plot perspective, each of my characters has the opportunity to help another character, and they all take that opportunity. Now, in order to facilitate those decisions, I had to introduce them to peril. I was fine sticking them in dire situations, knowing that they’d make it through unscathed. Nobody comes off worse than he or she begins.”

At the Piano: Remembering Lorraine Geller and Portland's Jazz History

Recorded in Los Angeles in 1954, At the Piano came out in 1959, a year after Lorraine died. Jazz trios are a dime a dozen, and piano trio albums can sound so much alike that they seem interchangeable. The worst have too many standards. Too little fire. Not enough swing. They can sound stiff, safe, almost classical in their polish. Lorraine’s, though, brims with life.