The very first night as we sip our muse-inducing elderflower wine, Alexander Weinstein, founder of the Institute, opens the door of the conference room to symbolically cast out our inner critics — those editorial voices in our heads who tell us we’re not good enough, who bring us down, who impose self-doubt.
“We’ve so enjoyed this process already—selecting books, working with publishers, authors, Wolverine Press, and assembling these unique collections. Our goal is simply to keep the program going, grow our subscriber base, and continue to provide signed first editions of the books we believe in.”
I’m not as concerned about the endings or how people interpret them as I am in showing a change or shift—by the end of the story—in the characters’ hearts. Also, I think open endings require a little more work of the reader; that, when a scene or story is left open, the reader gets to imagine for him/herself how things might’ve turned out.