Previous Next
BORDERLINE: A USER'S MANUAL
Poetry from Todd Boss
THAT FALL
OF WATERWAYS AND RUNAWAYS: REFLECTIONS ON THE GREAT LAKES IN UNDERGROUND RAILROAD HISTORY

BORDERLINE: A USER'S MANUAL

nonfiction by Marian Crotty

Admit to yourself that straight girls don’t usually spend four hours a day masturbating themselves numb to “The L Word,” stop sleeping with men altogether, and you might just find her. When you do, it will seem like fate. She will be beautiful and smart with just enough swagger to let you think she might like women. A Ph.D. student at the school where you adjunct. Perhaps, when a friend asked what type of woman you might like, you even said her name. Maybe, years before, when you saw her for the first time, strutting across a parking lot with her long dark hair and mirrored sunglasses, you thought, “I really need this girl to love me,” and were disappointed for weeks to learn she had a fiancé.

It will be years later, after the fiancé and successive boyfriends are out of the picture, that a throwaway line from her—a stupid line you don’t believe about women being the subject of art because their bodies are more aesthetically pleasing—will make you flirt. What you say at this point does not need to be smart, is better maybe, if it’s clumsy, gross, and nervous.

Continue Reading

Poetry from Todd Boss

ONE DAY THE DOCTOR TELLS YOU YOU’RE BLIND

to the truth. It’s physical; something about

the retina, rods, and cones. Truth is a wave-

length in the spectrum you’re unable to detect.

All your life you’ve been compensating,

convincing yourself you could see what you

could not. Suddenly you’ve got questions

Continue Reading

THAT FALL

fiction by Peter Ho Davies

Perhaps because he had no singing voice, Pop leaned forward to twist the dial when Nelson Eddy came on to do “Song of the Vagabonds.” “What, Saul,” my mother called from the doorway, giving a wiggle of her hips, “you got something against a little music?” but my father shushed her so sharply I looked up from my books. He was bent close to the radio, his eyes on us, but wide and unseeing. “We interrupt this broadcast.” It was the first bulletin.

Things moved fast after that. There was a banging on the floor below—Mrs. Z—and my father hurried down. By the time he’d run back up there were drumming feet overhead and in the halls, the din stilled only momentarily for a statement from the Secretary of the Interior. But where was the President? How I yearned for the calm “Good evening, friends” of one of his fireside chats.

“C’mon, already!” my father cried when he reappeared. “To the basement.” My mother ran to wake Milt and I followed her, looking around wildly for something to save. What was my most valuable possession? My magic apparatus, of course. I’d been given a set—trick deck, silk scarves, and my prize, an oboki box for coin tricks—for my Bar Mitzvah. I snatched the lot up, along with the reel of invisible thread, and stuffed it in my pockets. I could hear my mother trying to explain about the Martians to Milt. “The Martins?” he asked sleepily, scratching the toes that peeked out of the end of his cast. “Who are the Martins?” And then my father was there. “Forget Martians, Edith. Never mind that. These radio fellows don’t know bupkis. It’s Germans. See if it ain’t.” Until then I’d not been so afraid. I didn’t know anything about Martians. But Germans … I could see it in Milt’s saucer eyes … Germans were real.

Continue Reading

OF WATERWAYS AND RUNAWAYS: REFLECTIONS ON THE GREAT LAKES IN UNDERGROUND RAILROAD HISTORY

nonfiction by Tiya Miles

Here in the Great Lakes region of the Midwest, waterways were especially pivotal to Underground Railroad history, and movement to and across those waters highlights the remarkable bravery, determination, and resourcefulness of escaping slaves as well as their allies. The Old Northwest (the Midwestern territory designated by the Northwest Ordinance of 1787) was central ground for abolitionist struggle in the middle decades of the nineteenth century because of its location on two liquid borders. The line between the slaveholding country of the U.S. and the free realm of British-controlled Upper Canada (or Canada West), and the line between the slave state of Kentucky and the free state of Ohio flowed through this region in the form of water.[2] The winding rivers and ample lakes that characterized the area’s geography and marked the boundaries between and among colonial-European states and Native nations also became physical markers, signs, and routes of the Underground Railroad.

Continue Reading
0
  • The Poetry of Kindness

    The Poetry of Kindness

    by Ann Marie Thornburg

    Recently, I had the pleasure of listening to and spending a little time with the writer and teacher Naomi Shihab Nye. I learned of her open-hearted work years ago, when I was first becoming interested in contemporary poetry. It stuck with me—indeed, followed me—ever since. It is the kind of work that reveals much about its creator and vessel in the most generous way. I was not at all surprised, in other words, to find in Naomi a welcoming speaker and reader, and an effervescent person whose interest in listening to others and making them feel at home in the world is abundantly evident. This way of being in the world seems like one of the most rewarding, important things. It is something we all can do if we open ourselves to it.

    Continue Reading
  • World-wide Welcome

    World-wide Welcome

    by Preeta Samarasan

    In December, on my way back to France from Malaysia, I stopped in Paris to get a visitor’s visa at the Canadian Embassy. Twelve years ago, I didn’t need a visa to enter Canada on a Malaysian passport, but all that changed after September 11th, because Malaysia is a Muslim country. This I found out the hard way, landing in Toronto one afternoon en route to London from Rochester in 2003, being told that I could not leave the Immigration area because I had no transit visa.

    Continue Reading
  • Fall 2011

    Fall 2011

    Elizabeth Alexander on black experimental poetry, Marian Crotty on the borderline lover, Ilan Stavans on immigration and authenticity, James Morrison on Jonathan Strong, Laurence Goldstein on Philip Levine Fiction by Peter Ho Davies, Massa Makan Diabaté, Janis Hubschman, Lia Silver, Jonathan Strong Poetry by Randy Blasing, Todd Boss, Martha Collins, Rick Hilles, Patricia Hooper, Joe Wilkins

    Continue Reading
  • Summer 2011 The Great Lakes

    Summer 2011

    THE GREAT LAKES: LOVE SONG AND LAMENT, our special issue on the Great Lakes. Essays by Jerry Dennis, Anna Vodicka, Keith Taylor, John Knott, Alison Swan, Tiya Miles, Devin Murphy, Julia Gibson; Poetry by Albert Goldbarth, Margaret Noori, Holly Wren Spaulding, Ruth Joynton, M. Bartley Seigel, Terry Blackhawk, John Repp; Fiction by Steve Amick; Color portfolio: full-color photos of the Great Lakes basin selected from the exhibition "The Primacy of Water" curated by the River Gallery of Chelsea, Michigan.

    Continue Reading
  • Spring 2011

    Spring 2011

    Joanna Brooks on the Mormon apocalypse, Amy Butcher on living with juvenile rheumatoid arthritis, Bryon Edwards and Jeffrey Meyers on Paul and Jane Bowles, Roger Porter on the return of the exile, William Miller on losing it, Pearl Abraham on Ayaan Hirsi Ali, Molly Patterson on culture, language, and belonging. Poetry by Thomas Lynch, Theodore Worozbyt, G. C. Waldrep, Janet Kauffman, and Georges Perros. Fiction by Kathy Flann and Karen Heuler.

    Continue Reading
  • MQR2011 winter small (2)

    Winter 2011

    Michael Reid Busk on the roller derby, Berel Lang on replenishing the world, Eugene Goodheart on Darwinian hubris, Ismail Kadare on dictatorship, Miah Arnold on teaching writing to children with terminal cancer, Laurence Goldstein on the poetry of Charles Harper Webb, Maxine Kumin, and Edward Hirsch. Poetry by Francine Harris, Gwyneth Lewis, Susanna Mishler, Allison Peters, and Michael Peterson. Fiction by Lucy Ferriss, Kuzhali Manickavel, and Rachel May.

    Continue Reading