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'Internal Monument' Wins a Pushcart
Cloud Food
MQR Announces 2011 Literary Prizes
'YOU OWE ME' SELECTED FOR 2012 BEST AMERICAN ESSAYS

"Internal Monument" Wins a Pushcart

A man was sad—for himself, maybe for someone else, maybe he had lost something, or someone—so he hired some workmen to erect a monument. He was not surprised when they came calling early one morning, while he was still in bed, but he was surprised when, with a practiced slash, the foreman opened his chest. “We build the monument inside,” the foreman said. “But who will see the monument?” the man protested. “It’s a monument for feeling, not for seeing,” the foreman replied.

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Cloud Food

fiction by Julia Gibson

It was the third dry year. There had been a stream once, made of snowmelt from the mountains to the north, but even the snow had been sparse the winter our coyote mother met our dad, a dog who had his own concerns. When he stopped showing up, it wasn’t because he didn’t want to, Mam said. His obligations conflicted.

That spring it only rained a time or two, and the sage covering the hills went brittle as Mam swelled with more of us than she could sustain. When the stream became a mudpath, she dug down to the damp. After a time, though, she could dig no deeper. So, coyote to the bone, she did without.

Little water made little milk. At first there were five of us wailing mewlers, but if too many latched on, the milk ran out before anyone was satisfied. Then we all were crying, and Mam worried we’d be found by somebody bent on bringing coyote numbers down to none. One after another, three pups departed for the Beyond, and then it was only Luz and me, and there was barely enough.

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MQR Announces 2011 Literary Prizes

Michigan Quarterly Review is pleased to announce that it has awarded this year’s trio of literary prizes to the authors of an amusing—and poignant—story about strangers in the strange land of Michigan’s Upper Peninsula, an elegant poem on perspectives during a balloon flight, and a gritty poem listing the detritus of life at a Detroit high school.

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"YOU OWE ME" SELECTED FOR 2012 BEST AMERICAN ESSAYS

The children I write with die, no matter how much I love them, no matter how creative they are, no matter how many poems they have written, or how much they want to live. They die of diseases with unpronounceable names, of rhabdomyosarcoma or pilocytic astrocytoma, of cancers rarely heard of in the world at large, of cancers that are often cured once, but then turn up again somewhere else: in their lungs, their stomachs, their sinuses, their bones, their brains. While undergoing their own treatments, my students watch one friend after another lose legs, cough up blood, and enter a hospital room they never come out of again.

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  • An Imagined, and Imaginative, Feast

    An Imagined, and Imaginative, Feast

    by Ann Marie Thornburg

    When I recently discovered the blog 50 Watts, I fell in love instantly. The website is an exhaustive collection of book-related art and design. For someone who loves to think about the minds-eye landscapes of writers, and who also loves to get lost in the beautiful, wacky, colorful, and, above all, the inventive work of visual artists, this blog, curated by the brilliant Will Schofeld, is the ultimate feast. It is a lovely reminder of how the written and visual can work together. Neither plays a mere supporting role; instead, each medium nourishes the other in a meaningful kind of give-and-take. I encourage you to visit 50 Watts and see which pieces of book-candy tempt you the most!

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  • The Ego Is So OVERRATED

    The Ego Is So OVERRATED

    by Marshall Walker Lee

    As opposed to wit, which is often just pedantic cruelty, more ingenious than funny, rarely instructive or heartening, Aphorism is, historically, a manly form, laconic, from the Spartan polis of Laconia. Spartan men were said to hold the rhetoricians and the poets in disdain; the Laconians valued bravery, austerity, and, as anyone who’s seen 300 knows, a direct and very un-pedantic sort of cruelty. The first “Laconisms” come from accounts of the Battle of Thermopylae, the bloody contest that pitted a small band Greeks and Spartans against a superior Persian force. Grotesque, frightening, often hilarious, these early Laconisms make the battle out to be a bloody lark. My favorite: when a Persian envoy sent to Sparta asks for a tribute of “some soil and water,” the Spartans throw him down a well; “Dig it out yourself,” they say.

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  • Winter 2012

    Winter 2012

    Julian Levinson translates and comments on Moshe-Leyb Halpern, Derek Mong considers English as a second language, Natania Rosenfeld muses on her mother-in-law and Louise Bourgeois, Stefanie Weisman goes in search of E. B. White Fiction by Alan Cheuse (with help – a lot of help – from Herman Melville), Bernardine Connelly, Chidalia Edochie, Peter Levine Poetry by Nicolas Born, Victoria Chang, Moshe-Leyb Halpern, A. Van Jordan, Nick Lantz, Margaret Reges, Brian Swann, Ann Marie Thornburg A review by Raymond McDaniel of Maggie Nelson’s The Art of Cruelty: A Reckoning

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  • Fall 2011

    Fall 2011

    Elizabeth Alexander on black experimental poetry, Marian Crotty on the borderline lover, Ilan Stavans on immigration and authenticity, James Morrison on Jonathan Strong, Laurence Goldstein on Philip Levine Fiction by Peter Ho Davies, Massa Makan Diabaté, Janis Hubschman, Lia Silver, Jonathan Strong Poetry by Randy Blasing, Todd Boss, Martha Collins, Rick Hilles, Patricia Hooper, Joe Wilkins

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  • Summer 2011 The Great Lakes

    Summer 2011

    THE GREAT LAKES: LOVE SONG AND LAMENT, our special issue on the Great Lakes. Essays by Jerry Dennis, Anna Vodicka, Keith Taylor, John Knott, Alison Swan, Tiya Miles, Devin Murphy, Julia Gibson; Poetry by Albert Goldbarth, Margaret Noori, Holly Wren Spaulding, Ruth Joynton, M. Bartley Seigel, Terry Blackhawk, John Repp; Fiction by Steve Amick; Color portfolio: full-color photos of the Great Lakes basin selected from the exhibition "The Primacy of Water" curated by the River Gallery of Chelsea, Michigan.

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  • Spring 2011

    Spring 2011

    Joanna Brooks on the Mormon apocalypse, Amy Butcher on living with juvenile rheumatoid arthritis, Bryon Edwards and Jeffrey Meyers on Paul and Jane Bowles, Roger Porter on the return of the exile, William Miller on losing it, Pearl Abraham on Ayaan Hirsi Ali, Molly Patterson on culture, language, and belonging. Poetry by Thomas Lynch, Theodore Worozbyt, G. C. Waldrep, Janet Kauffman, and Georges Perros. Fiction by Kathy Flann and Karen Heuler.

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